Using timecode on footage comes in handy when logging clips or syncing captured video to separately recorded audio. Janet runs through the steps of adding timecode to your footage by way of the FCPX generator. With that said, we’ll turn it over to Janet Dalton at Manhattan Edit Workshop who has created three tutorials that demonstrate video editing principles: using a timecode overlay, slipping a clip and then matching frames. While the tips below aren’t exclusive to FCPX, they are fundamental to the video editing process. When you have clients that need to review projects in progress, this is a great technique to keep everyone in sync.Timecode overlays, slipping and match framing are nothing new but we found three tutorials that show how to easily use them in FCPX.įor any video editor, knowing techniques that streamline your process saves you time and money. This option is a good choice when you want to hide the timecode temporarily – for example, to edit the project – then redisplay the timecode – for example, to export another review version of the project. This makes the clip invisible, but allows you to type V again to redisplay it. Select the generator clip in the Timeline and type V. Delete the generator clip in the Timeline. For backgrounds like this, I tend to prefer around 60% opacity.īecause this effect is a separate clip, you can remove the timecode burn-in easily in one of two ways:ġ. To change the opacity of the black background, click the Generator tab, again, and twirl down Background and adjust the Opacity slider. When you are happy with the location, click Done.ĩ. Drag the timecode image where you want the numbers to appear in the frame. The easiest way to do this is to make sure the Timecode clip is still selected, then click the Transform button in the lower-left corner of the Viewer.Ĩ. To change the position of the timecode, you need to use the Transform controls. Here you can format the text, or, in the Label text entry box, add a prefix to serve as a label for this project.ħ. To add an identifier – say a project ID, or version number – open the Inspector ( Command+4) and click the Generator tab at the top. However, let’s see how we can modify this effect further.Ħ. You could stop here and export/share your project with your client and the timecode would be burned into the project video. This is the default setting of the timecode generator: hours:minutes:seconds:frames centered as a lower-third with a solid black background. Drag the generator so it becomes a connected clip stretching from the beginning to the end of the project, or just a portion of the project, for which you want to display timecode. (You don’t really need to type the entire word, just enough to find the effect you are looking for.)Ĥ. Type “timecode” to display the timecode generator. While you could navigate to any generator using Categories, I find it easier to find things using the search box at the bottom. So, click the Generator icon in the Toolbar (in this screen shot it is blue and under the cursor). However, the process is the same, regardless of how many clips or layers are in your project.Ģ. In this example, I’m using just one clip. Also, this generator can only be applied to Timeline clips, not clips in the Event Browser.įCP X simplifies the process of displaying timecode. it does not display the source timecode of the clips in the project. NOTE: The timecode generator in Final Cut Pro X displays project timecode. Vint Cerf and Alcatel/Lucent for allowing me to use these clips.) Here’s where we are headed – the project timecode, plus identifier, is placed at the top of the frame with a translucent black background. (This process is also called “timecode burn-in” – or “burning in timecode.”) This technique explains what you need to know. Adding timecode to clips or projects is a great way to allow clients to review your projects and relate their comments to a specific time in the project.
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